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Cesar Camarero - 2010 - Vanishing Point, Duracion Invisible, A Traves Del Sonido De La Lluvia (FLAC, Kairos 110)

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Torrent File Content (9 files)

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Music : Classical : Lossless
      

Kairos 0013102KAI.

1	Vanishing Point (2007) For 2 Solo Percussions And Orchestra 14:09
2	Duración Invisible (2009) For Violin, Violoncello, Piano And 2 Chamber Orchestras 23:36
3	A Través Del
Sonido De La Lluvia (2000-2004) For Violin, Violoncello And Piano 14:59

Orchesta Nacional De Espana,
conductor: Peter Hirsch (1,2)
Juanjo Guillem, Rafael Gálvez: percussion (1)
Trio
Arbos (2,3)

Recorded at Auditorio Nacional de Música, Madrid - October 20 - 22, 2009. (1,2)
Recorded at Colegio Oficial de Médicos de Madrid - October 25, 2008. (3)

The three works on this CD were
composed between 2000 and 2009. Vanishing Point is a concertante work and the two soloists play vibraphone and marimba.
Duración invisible employs an orchestra and a solo group which is a piano trio. The final piece, A traves del sonido
de la Iluvia, (through the sound of the rain) is based on six poems from the cycle Camera oscura by Sebastián Diaz
Eresma. - prestoclassical.co.uk

If all art is born from out of a condition of tension and if every artist
lives in a state of inner conflict, the creative dilemma within César Camarero basically comes down to this:
“do I give expression – yes or no, and if, yes, with how much clarity – to the vast wealth of riches
that exist in my inner world? Thus, the art of Camarero is one of concealments and velatures, uncertainties, the
scattering of hints and the obscuring of them. This is the terrain of an attractive mystery in which ideas demonstrate a
certain reserve in being given voice in their totality. It is music of the night: but be careful, don’t let the
light flood in and shatter the dream! And yet, at the same time, it is bold and strong music, certain of itself, in that
it neither tolerates discussions, nor does it yield before anything which fails to reflect its own creative intuition. -
Álvaro Guibert

Cesar Camarero, born in Madrid in 1962. In 1977 he moves with his family to New York City,
where he begins his musical studies. In 1983, his work Metamorfosis for sixteen accordions and string orchestra receives
the Broadcast Music Inc. Young Composers Award (one of the author`s societies in the U.S.A). In 1985 he moves back to
Madrid and studies composition with Luis de Pablo and with Francisco Guerrero. Since 1989, when his string quartet El
silencio va más deprisa al revés is selected for the Gaudeamus Competition (Holland), his works are present in
many festivals and concert seasons, mainly in European countries (Middelburg Festival and Gaudeamus Music Week -Holland,
Roma Europa, Musica 900 Trento, Alicante Festival, Madrid National Auditorium –Spain, WDR Cologne, Festival
„Presences“ –Radio France, etc...), performed by some of the best new music ensembles (Xenakis
Ensemble, Freon Ensemble, Musique Nuovelle –Bordeaux, Nieuwe Ensemble, Proyectro Guerrero, Plural Ensemble,
Miquel Bernat, Trio Arbós, Nouvel Ensemble Modern, etc...). He has been composer in residence at the Spanish Academy
of Fine Arts in Rome in 1992-93, and at the Casa de Velázquez de Madrid, in 1999). His works have received the
following international awards: “Villa de Madrid” 2001, Spain. “Guido d’Arezzo” 1998,
Italy. “Hannover Biennale” 1997, Germany. “Pablo Sorozábal” 1995, Spain. “Premi Ciudat
d’Alcoi” 1993, Spain. “Broadcast Music Inc.” 1983, USA.
He has received comissions from
many cultural institutions, both in Spain and abroad, such as C.D.M.C., Spanish Ministry of Culture, Fundación Caja
de Madrid, Festival Musica 900 –Trento, Orquesta Nacional de España, Música de Hoy – Xavier
Güell, Junta Andalucía, etc... 
Since 1998 he lives in Seville. In 2006 he receives the National Music Prize
of the Spanish Ministry of Culture. - Kairos
          
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