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(JazzPlanet) Miles Davis - Tutu (Eac Flac Cue)

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Torrent File Content (19 files)

Description

Miles Davis - Tutu





Audio CD (October 25, 1990)

Original Release Date: January 6, 1986

Number of Discs: 1

Label: Warner Bros / Wea

Category: Jazz Instrument electric 



Extractor: EAC 0.99 prebeta 4 

Read mode               : Secure

Utilize accurate stream : Yes

Defeat audio cache      : Yes

Make use of C2 pointers : No

Codec: Flac 1.2.1;  Level 8  

Single File.flac, Eac.log, File.cue

Accuraterip: Yes (confidence 94)

Source: Original CD 

Size Torrent: 247 Mb

Cover Incluse







All tracks composed by Marcus Miller; except where indicated



Tutu – 5:15 

Tomaas – 5:38 (Davis, Marcus Miller) 

Portia – 6:18 

Splatch – 4:46 

Backyard Ritual – 4:49 

Perfect Way – 4:35 (David Gamson, Green Gartside) 

Don't Lose Your Mind  – 5:49 

Full Nelson – 5:06 

Recording Time  42 minutes 



Performers



Miles Davis - Trumpet 

Marcus Miller - All other instruments, Bass guitar on  Backyard Ritual  

Jason Miles - Synthesizer programming 

Paulinho da Costa - Percussion on  Tutu ,  Portia ,  Splatch , Backyard Ritual  

Adam Holzman - Synth solo on  Splatch  

Steve Reid - Additional percussion on  Splatch  

George Duke - All except percussion, bass guitar, and trumpet on  Backyard Ritual  

Omar Hakim - Drums and percussion on  Tomaas  

Bernard Wright - Additional synthesizers on  Tomaas  and  Don't Lose Your Mind  

Micha? Urbaniak - Electric violin on  Don't Lose Your Mind  

Jabali Billy Hart - Drums, bongos 



Listen to sample



http://www.amazon.com/gp/recsradio/radio/B000002LAB/ref=pd_krex_dp_a/002-7288212-9200820



www.youtube.com/watch?v=jidx4uSJLlU



www.youtube.com/watch?v=00tzcnyDL68





review



In 1985, Miles Davis' thirty year association with Columbia Records came to an end and the jazz legend, who managed to
reinvent jazz a dozen times over managed to reinvent the price value of jazz recording contracts when he signed with
Warner Brothers. What Davis unfortunately didn't seem to do was read past the bottom line and his royalties for
songwriting would lie with Warner Brothers, not with him. As a result, Davis refused to compose anything on his own and
instead brought his former bass player Marcus Miller to compose for him. Miller wrote compositions for Davis and set up
a framework in which the trumpeter could solo. The first album resulting from this collaboration,  Tutu , proves to be
one of the great records of Davis' career, and like  Sketches of Spain  before it, provides a powerful launching pad for
Davis and coaxes out of him one of his best performances. 



Musically, the album is guaranteed to alienate Davis fans everywhere-- while he'd abandoned acoustic instruments as the
only way to go in the '60s, this album was an embracing of synthesizers, drum machines, and electric instruments, even
moreso than his previous records were. Miller performed all the electric and acoustic instruments (including bass
guitar, electric guitar, at least some live drums, soprano sax, bass clarinet and synthesizers) with additional
contributions in synth programming from Ron Miles and Adam Holzman and one track ( Backyard Ritual ) where George Duke
assumes the framing role. The album does sound (particularly in the drum tracks) a bit dated, but this in no way gets in
the way of enjoying the album anymore than acoustic basses get in the way of enjoying Davis' '50s work-- in fact, it all
adds to the ambience. Most importantly is that Davis, who sometimes seemed a bit unengaged with his own music on his
later recordings, is full of fire and passion-- blows powerfully in a number of different moods, be it passion and fir (
Tutu ), a deep romanticism and yearning ( Portia ), funky explosiveness ( Splatch ) or bouncey ecstacy ( Perfect Way ).




For the purists who claim it's not jazz if it has electric instruments, programmed beats, or synthesizers-- skip this,
you'll find nothing to like and nothing I say will convince you otherwise, even though this album is one of the best of
its form. For those who question bringing in Miller to frame Davis and would make the statement this is a Marcus Miller
record thinly veiled as a Miles Davis album-- remember that Gil Evans set up the same kind of framings for Davis, and no
one views  Miles Ahead  or  Sketches of Spain  (or for that matter  The Birth of the Cool  where Davis only cowrote one
piece) as anything other than a Miles Davis album. The fact is, this album is one of the best of its generation, and
time and again, Davis proved he was capable of shaking the jazz world apart. And I suspect it's no coincidence that in
his absence, a regressionist viewpoint has taken hold in commercial jazz.  Tutu  is a relic of a time when artists were
not afraid to try something new. Highly recommended. 

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