Adler, H G -The Wall - epub - zeke23


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Adler, H G -The Wall - epub - zeke23
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The Wall: A Novel
by H.G. Adler
4.1 of 5 stars
4.10 · rating details · 31 ratings · 5 reviews 23
Compared by critics to Kafka, Joyce, and Musil, H. G. Adler is becoming recognized as one of the towering figures of twentieth-century fiction. Nobel Prize winner Elias Canetti wrote that “Adler has restored hope to modern literature,” and the first two novels rediscovered after his death, Panorama and The Journey, were acclaimed as “modernist masterpieces” by The New Yorker. Now his magnum opus, The Wall, the final installment of Adler’s Shoah trilogy and his crowning achievement as a novelist, is available for the first time in English.

Drawing upon Adler’s own experiences in the Holocaust and his postwar life, The Wall, like the other works in the trilogy, nonetheless avoids detailed historical specifics. The novel tells the story of Arthur Landau, survivor of a wartime atrocity, a man struggling with his nightmares and his memories of the past as he strives to forge a new life for himself. Haunted by the death of his wife, Franziska, he returns to the city of his youth and receives confirmation of his parents’ fates, then crosses the border and leaves his homeland for good.

Embarking on a life of exile, he continues searching for his place within the world. He attempts to publish his study of the victims of the war, yet he is treated with curiosity, competitiveness, and contempt by fellow intellectuals who escaped the conflict unscathed. Afflicted with survivor’s guilt, Arthur tries to leave behind the horrors of the past and find a foothold in the present. Ultimately, it is the love of his second wife, Johanna, and his two children that allows him to reaffirm his humanity while remembering all he’s left behind.

The Wall is a magnificent epic of survival and redemption, powerfully told through stream of consciousness and suffused with daydream, fantasy, memory, nightmare, and pure imagination. More than a portrait of a Holocaust survivor’s journey, it is a universal novel about recovering from the traumas of the past and finding a way to live again.

Praise for H. G. Adler’s novels The Journey and Panorama, translated by Peter Filkins

“The Journey and Panorama . . . are modernist masterpieces worthy of comparison to those of Kafka or Musil.”—The New Yorker

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In this way “The Wall,” the final novel of an exilic trilogy by H. G. (Hans Günther) Adler, is inseparable from the lacerating fortunes of the writer’s life; the chronicle he gave birth to continues to claim him. It matters, then, that Adler was reared in a linguistically fraught Prague, and that like Kafka before him, he was a Jew steeped culturally in German within a society vigorously Czech. At Charles University he studied musicology, but as poet, scholar, historian, philosopher with a theological bent, and novelist above all, he subsequently encompassed far more. Following the German onslaught in 1941, he and his family were, as we have learned to say, “deported” — a Nazi palliative, with its elevated aura of Napoleon on Elba, for violent criminal abduction. He endured two and a half years in Theresienstadt, and in 1944 was sent by freight car to Auschwitz, where his physician wife and her mother were promptly gassed. His parents and 16 relatives were similarly dispatched. Liberated in 1945, Adler returned to Prague, only to find it under rigid Soviet control. In 1947 he escaped to London, where, buffeted by the forlorn displacements of a melancholic exile, he nevertheless completed a comprehensive and searingly definitive sociological study of Theresienstadt.
New York Times



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