Alex Sipiagin - 2002 - Hindsight (FLAC, Criss Cross 1220)


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Torrent Hash : C15038DDD02797062834765BFB90E38FF97BA829
Torrent Added : 1 Year+ in Music - Music
Torrent Size : 443.13 MB


Alex Sipiagin - 2002 - Hindsight (FLAC, Criss Cross 1220)
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Torrent File Content (12 files)


Alex Sipiagin - 2002 - Hindsight (FLAC, Criss Cross 1220)
     05. Second Shot.flac -
65.23 MB

     08. Very Early II.flac -
64.17 MB

     02. Hindsight.flac -
61.56 MB

     01. Very Early I.flac -
61.51 MB

     07. Upstream.flac -
60.94 MB

     04. Linear Passage.flac -
58.9 MB

     03. Reincarnation Of A Lovebird.flac -
52.06 MB

     06. Light Blue.flac -
18.7 MB

     cover.jpg -
53.59 KB

     aucdtect.log -
2.14 KB

     i.txt -
1.55 KB

     Torrent downloaded from www.DNoid.me - Demonoid.txt -
56 bytes



Description



Music : Jazz : Lossless


Criss Cross Jazz Criss 1220 CD.

1 Very Early I 10:04
2 Hindsight 10:07
3 Reincarnation Of A Lovebird 8:30
4 Linear Passage 8:45
5 Second Shot 10:15
6 Light Blue 5:18
7 Upstream 9:22
8 Very Early II 10:14

Boris Kozlov: bass
Gene Jackson: drums
Adam Rogers: guitar
Chris Potter: tenor saxophone
Alex Sipiagin: trumpet, flugelhorn

Recorded May 23, 2001 at Systems Two Studios, Brooklyn, NY.

Trumpeter Alex Sipiagin sticks with a quintet lineup on his second Criss Cross outing, but this time opts for guitar over piano. Tenor saxophonist Chris Potter remains in place from the first session; Adam Rogers, who is finally gaining wider exposure, ably fills the chair previously occupied by Dave Kikoski; and a new rhythm section appears, with Boris Kozlov on bass and Gene Jackson on drums. The music is magnificent, and thankfully the takes are nice and long, giving the soloists more than enough room to push the envelope. In addition to four strong originals, Sipiagin offers an elevated reading of Mingus' "Reincarnation of a Lovebird," two equally stirring takes of Bill Evans' "Very Early," and a priceless flügelhorn/acoustic guitar duet on Monk's "Light Blue." Sipiagin's orchestrations are ceaselessly probing and imaginative; there are times, like on the out-blues title track, when the harmonized lines he plays with Potter sound like three horns. Combining the rigors of painstaking composition with the frenzied inspiration of the hottest blowing date, Sipiagin gives listeners some of the most potent and engaging mainstream jazz of the era. - David R. Adler, AMG
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