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Breathless (1960) Jean-Luc Godard

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Movies : Crime : DVD Full : French
    
Breathless (1960) Jean-Luc Godard

À bout de souffle (original title)
IMDb
http://www.imdb.com/title/tt0053472
IMDb rating 7.9
audio: French original
subs: English

Breathless (1960 film)

Breathless (French: À bout de souffle; "out of breath") is a 1960
French film written and directed by Jean-Luc Godard about a wandering criminal (Jean-Paul Belmondo) and his American
girlfriend (Jean Seberg). It was Godard's first feature-length work and represented Belmondo's breakthrough as an
actor.

Breathless was one of the earliest, most influential examples of French New Wave (nouvelle vague)
cinema.[2] Together with François Truffaut's The 400 Blows and Alain Resnais's Hiroshima, Mon Amour, both released a
year earlier, it brought international acclaim to this new style of French filmmaking. At the time, the film attracted
much attention for its bold visual style, which included unconventional use of jump cuts.

A fully restored
version of the film was released in the U.S. for its 50th anniversary in May 2010. When originally released in France,
the film attracted over 2 million viewers.

Plot

Michel (Jean-Paul Belmondo) is a youthful criminal
who is intrigued with the film persona of Humphrey Bogart. After stealing a car in Marseille, Michel shoots and kills a
policeman who has followed him onto a country road. Penniless and on the run from the police, he turns to an American
love interest Patricia (Jean Seberg), a student and aspiring journalist, who sells the New York Herald Tribune on the
streets of Paris. The ambivalent Patricia unwittingly hides him in her apartment as he simultaneously tries to seduce
her and call in a loan to fund their escape to Italy. Patricia says she is pregnant, probably with Michel's child. She
learns that Michel is on the run when questioned by the police. Eventually she betrays him, but before the police arrive
she tells Michel what she has done. He is somewhat resigned to a life in prison, and does not try to escape at first.
The police shoot him in the street and, after a prolonged death run, he dies “à bout de souffle” (out of
breath).

Filming

Godard envisaged Breathless as a reportage (documentary), and tasked
cinematographer Raoul Coutard to shoot the entire film on a hand-held camera, with next to no lighting. In order to
shoot under low light levels, Coutard had to use Ilford HPS film, which was not available as motion picture film stock
at the time. He therefore took 18-metre lengths of HPS film sold for 35mm still cameras and spliced them together to
120-metre rolls. During development he pushed the negative one stop from 400 ASA to 800 ASA. The size of the sprocket
holes in the photographic film was different from the sprocket holes for motion picture film, and the Cameflex camera
was the only camera that would work for the film used.

The production was filmed on location in Paris during
the months of August and September in 1959,using an Eclair Cameflex. Almost the whole film had to be dubbed in
post-production because of the noisiness of the Cameflex camera and because the Cameflex was incapable of synchronized
sound.

Filming began on August 17, 1959. Godard met his crew at the Café Notre Dame near the Hôtel de
Suède and shot for two hours until he ran out of ideas. Coutard has stated that the film was virtually improvised on
the spot, with Godard writing lines of dialogue in an exercise book that no one else was allowed to look at. Godard
would give the lines to Belmondo and Seberg while having a few brief rehearsals on scenes involved, then filming them.
No permission was received to shoot the film in its various locations (mainly the side streets and boulevards of Paris)
either, adding to the spontaneous feel that Godard was aiming for.However, all locations were picked out before shooting
began and assistant director Pierre Rissient has described the shoot as very organized. Actor Richard Balducci has
stated that shooting days ranged from 15 minutes to 12 hours, depending on how many ideas Godard had that day. Producer
Georges de Beauregard wrote a letter to the entire crew complaining about the erratic shooting schedule. Coutard says
that on a day that Godard had called in sick de Beauregard bumped into the director at a cafe and the two got into a
fist fight.

Godard shot most of the film chronologically, with the exception of the first sequence, which was
shot towards the end of the shoot. Filming at the Hôtel de Suède for the lengthy bedroom scene between Michel and
Patricia included a minimal crew and no lights. This location was difficult to secure, but Godard was determined to
shoot there after having lived at the hotel after returning from South America in the early 1950s. Instead of renting a
dolly with complicated and time-consuming tracks to lay, Godard and Coutard rented a wheelchair for the film that Godard
often pushed himself. For certain street scenes Coutard would hide in a postal cart with a hole in it for the lens and
stamped packages piled on top of him. Shooting lasted for 23 days and ended on September 12, 1959. The final scene where
Michel is shot in the street was filmed on the rue Campagne-Première in Paris.

tags: crime, drama 
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