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Bubbeleh - 2014 - Bubbeleh (FLAC, pfMENTUM 82)

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Torrent File Content (21 files)

Description

Music : Jazz : Lossless
      

pfMENTUM CD082.

1. Dybbuk Square Dance 3:29
2. Fear Of Heights 5:07
3. Schmutzy Glasses
5:26
4. Woulda... Coulda... MESHUGGAH!!! 3:44
5. (An Honest) Living 2:19
6. Choots-Pah 3:55
7.
Grepse 4:17
8. Simcha Boytchik Hintele (Puppy Party) 3:35
9. Mosesque 6:56
10. Bubberella 4:30
11.
Czytzfachykz 4:54

(Max Kutner) - 1,2,5,9,10
(Philip Rankin) - 4,6,7,8
(Rusty Kennedy) - 11
(Greg Zilboorg) - 3

Recorded by Samur Khouja at Seahorse Sound Studios, Los Angeles, August 20-22, 2013
Produced by Maxwell Ryan Kutner, Philip Jason Rankin
Assistant engineer: Alex DeGroot
Executive producer:
William Ross Gibson
Mixed by Brian Saia, October-December 2013

Associate producer: Debra Fredericks,
Tamasaurus Rex
Mastered by John Baffa at TVTray Studios, Simi Valley, CA, December 2013

Logo by Dawn
Chan
Layout design by J. Carver

Andrew Conrad: clarinet, tenor sax
Greg Zilboorg:
trumpet
Lauren Baba: violin, viola
Max Kutner: guitar
Philip Rankin: wurlitzer,
synthesizer, melodica, pump organ, tack piano, clave, guiro
Rusty Kennedy: bass
Colin Woodford:
drums, congas, shakers, rattles, ankle bells

Los Angeles-based seven-piece band Bubbeleh taught us what we
need to know about klezmer and four more things we uncovered from listening to their self-titled debut record.
1.
Klezmer. Full stop.
I had no idea what klezmer was. I still don’t know what it is, other than it’s
Balkan/Eastern European music. Listening to it, I feel like a gypsy, shawl wrapped around me, swaying to the manic notes
with lines of poetry dancing through my head. You can write to it. It makes you feel more creative, powerful, crazy and
hypnotised at the same time. Bubbeleh do it well. Pair with some good wine and a felt hat and you’re sorted.
2. It should be a soundtrack.
A zany soundtrack to a cartoon. Can you picture a cartoon cat-and-mouse chase to
‘Grepse’? It’s vibrant and full of movement.
3. It doesn’t need words lyrics.
From
frothy moments to escalating and meandering movements — like lulling waves that crash dramatically — the
instrumentals warmly wash over listeners without the use of words. A skill in itself.
4. I’m pretty sure if
I had lived in Eastern Europe, this would remind me of the mother country.
My background is Ukrainian, so I do feel
like some of this is from the “home country” when my grandma used to play her Ukrainian music tapes. But
listen to Bubbeleh’s ‘Moseque’ — it switches to a plodding pace that feels like walking
through streets paved in cobblestone, holding some gold coins trailed by a goat named Sapphire with glossy
chocolate-and-white fur. Just listen to it and make up your own story.
5. Improvsation and interplay of instruments
can be fun.
It’s not messy, it’s jazzy, dizzying, playful and jittery. It feels like everything is
infused with caffeine and the world is spinning, slowly then fast. Similar to a carousel when you’ve had too much
vodka — the dazzling lights paired with the movement of the horses sends you to a dream-like state or another
world altogether. It’s that sort of feeling when the instruments and the melodies collide and tangle together on
Bubbeleh’s record. - Angela Allan, Soot Magazine
(Full disclosure: I met Max – who plays in Bubbeleh
– at Bluesfest. He is a member of the Grandmothers of Invention. We drank red wine and watched Jeff Beck
together. Oh yes, some days I like to name drop. But that’s another story.)

A charmingly fresh
klezmer/jazz fusion with some nifty dissonant elements, this first full-length recording from LA's self-styled
"Naughtiest Experimental Klezmer ensemble" is unexpectedly pleasing. Even the song names are fun. "Simcha
Boytchik Hintele" is a delightful bar mitzvah party send-off that manages to transcend screaming guitar and
intergalactic sound effects to deliver a nicely danceable tune. At times the band reminds me of Benjamin Laden's beloved
Benny and the Vildachayas; at other times it reflects the same Southern California sun-kissed anarchy that gave us the
Rabbinic School Dropouts.
From the opening raucous "Dybbuk Square Dance" to the quiet of
"Mosesque" to the occasionally Bo Diddley-inflected closing "Czytzfachykz," this is just a whole
lotta fun. The playing is tight. The imagination is solidly ephemeral. They're currently doing a CD release tour. Catch
them if you can. - Ari Davidow, klezmershack.com                                                            Show Demonoid some love
with  BitCoin: 1DNoidJdotDyNMm5CxA8XfbgCH8KsCjco3  How to get
BitCoins?        

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