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Charlie Parker & Dizzy Gillespie - Diz 'n Bird at Carnegie Hall TQMP

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Torrent File Content (28 files)

Diz 'n Bird at Carnegie Hall
          back.jpg -
1.15 MB

          booklet cover.jpg -
2.15 MB

          booklet_0001.jpg -
1.04 MB

          booklet_0002.jpg -
517.37 KB

          booklet_0003.jpg -
497.49 KB

          cd.jpg -
440.67 KB

          front.jpg -
1.93 MB

          inside.jpg -
1009.67 KB

     01. A Night in Tunisia.flac -
26.27 MB

     02. Dizzy Atmosphere.flac -
21 MB

     03. Groovin' High.flac -
27.21 MB

     04. Confirmation.flac -
27.75 MB

     05. Koko.flac -
17.21 MB

     06. Cool Breeze.flac -
23.8 MB

     07. Relaxin' at Camarillo.flac -
10.65 MB

     08. One Bass Hit.flac -
20.93 MB

     09. Nearness.flac -
14.98 MB

     10. Salt Peanuts.flac -
21.81 MB

     11. Cubano-Be, Cubano-Bop.flac -
25.04 MB

     12. Hot House.flac -
21.79 MB

     13. Toccata for Trumpet.flac -
12.37 MB

     14. Oop-Pop-A-Da.flac -
31.97 MB

     15. Things to Come.flac -
13.95 MB

     azootallurerelease1.GIF -
6.49 KB

     Charlie Parker & Dizzy Gillespie - Diz 'n Bird at Carnegie Hall.m3u -
1.28 KB

     Diz 'n Bird at Carnegie Hall.cue -
2.92 KB

     Diz 'n Bird at Carnegie Hall.log -
6.47 KB

     Torrent downloaded from Demonoid.com.txt -
47 bytes


Charlie Parker is widely considered one of the most influential of jazz musicians, along with Louis Armstrong and Duke
Ellington. Parker acquired the nickname "Yardbird" early in his career, and the shortened form
"Bird" remained Parker's sobriquet for the rest of his life, inspiring the titles of a number of Parker
compositions, such as "Yardbird Suite" and "Ornithology."
Parker also became an icon for the hipster subculture and later the Beat generation, personifying the conception of the jazz musician as an uncompromising artist and intellectual, rather than just a popular entertainer. His style – from a rhythmic, harmonic and soloing perspective – influenced countless peers on every instrument. Like Louis Armstrong before him, Parker changed the sound of jazz music forever.
John Birks "Dizzy" Gillespie was an American jazz trumpeter, bandleader, singer, and composer. He was born in Cheraw, South Carolina, the youngest of nine children. Dizzy's father, James, was a local bandleader, so instruments were made available to Dizzy. He started to play the piano at the age of 4. Together with Charlie Parker, he was a major figure in the development of bebop and modern jazz.
In addition to featuring in these epochal moments in bebop, he was instrumental in founding Afro-Cuban jazz, the modern jazz version of what early-jazz pioneer Jelly Roll Morton referred to as the "Spanish Tinge". Gillespie was a trumpet virtuoso and gifted improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic complexity previously unknown in jazz. In addition to his instrumental skills, Dizzy's beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks and his light-hearted personality were essential in popularizing bebop. He had an enormous impact on subsequent trumpeters, both by the example of his playing and as a mentor to younger musicians.
So, one night, decades ago in 1947, these two guys met at Carnegie Hall and recorded this fantastic album, along with John Lewis on piano, Al McKibbon on bass, Joe Harris on drums, Elmon Wroght, Mathew McKayDave Burns and Ray Orr on trumpets, Taswell Baird and William Shepherd on tormbones, John Brown and Howard Johnson on alto saxes, James Moody and Joe Gayles on tenor saxes, Cecyl Payne on baritone sax, Milt Jackson on vibes, Chano Pozo on congas, Lorenzo Salan on bongos and Kenny "Pancho" Hagood on vocal.


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Ripped by Exact Audio Copy V0.99 from 01-23-2008, encoded to FLAC with 1024kb/s
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