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Danny Elfman - Music For A Darkened Theatre [EAC-FLAC] [RePoPo]

    Seeders : 39      Leechers : 16

Hash :5C39B3F1444DDBCC0D4D6A0D01966B4FF90B8E68
Added :1 Year+ in Music - Music
Size :375.37 MB
Stream :Watch Online Full Movie @ Movie4u
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Torrent File Content (23 files)

Danny Elfman - Music For A Darkened Theatre [EAC-FLAC] [RePoPo]
          Back.jpg -
244.42 KB

          Front.jpg -
132.63 KB

     01.- Danny Elfman - Pee Wee's Big Adventure.flac -
37.59 MB

     02.- Danny Elfman - Batman.flac -
46.14 MB

     03.- Danny Elfman - Dick Tracy.flac -
14.03 MB

     04.- Danny Elfman - Beetlejuice.flac -
19.65 MB

     05.- Danny Elfman - Nightbreed.flac -
35.9 MB

     06.- Danny Elfman - Darkman.flac -
34.93 MB

     07.- Danny Elfman - Back To School.flac -
7.55 MB

     08.- Danny Elfman - Midnight Run.flac -
23.02 MB

     09.- Danny Elfman - Wisdom.flac -
26.35 MB

     10.- Danny Elfman - Hot To Trot.flac -
12.86 MB

     11.- Danny Elfman - Big Top Pee Wee.flac -
26.6 MB

     12.- Danny Elfman - The Simpsons.flac -
8.21 MB

     13.- Danny Elfman - Alfred Hitchcock Presents- The Jar.flac -
12.59 MB

     14.- Danny Elfman - Tales From The Crypt.flac -
7.65 MB

     15.- Danny Elfman - Face Like A Frog.flac -
11.46 MB

     16.- Danny Elfman - Forbidden Zone.flac -
4.85 MB

     17.- Danny Elfman - Scrooged.flac -
45.6 MB

     Danny Elfman - Music For A Darkened Theatre - Film & Television Music - Volume One.log -
6.63 KB

     Danny Elfman - Music For A Darkened Theatre - Film & Television Music - Volume One.m3u -
1.38 KB

     Nuevo Documento de texto.txt -
10.79 KB

     Torrent downloaded from Demonoid.com.txt -
47 bytes


                  Danny Elfman - Music For a Darkened Theatre

Track Listing:

01.- Pee Wee's Big Adventure: Overture/Breakfast Machine/Clown [7:01]
02.- Batman (Theme)/Up the Cathedral/Descent into Mystery [8:25]
03.- Dick Tracy: Main Titles [3:03]
04.- Beetlejuice: Main Titles/End Titles [3:43]
05.- Nightbreed: Main Titles/Meat for the Beast/End Titles [7:03]
06.- Darkman: Main Titles/Woe the Darkman, Woe [6:55]
07.- Back to School: Study Montage [1:30]
08.- Midnight Run: Walsh Gets the Duke/Main Titles/Diner Blues [4:42]
09.- Wisdom: Change of Life/Close Call in Albuquerque [4:39]
10.- Hot to Trot: Main Titles/Wandering Don [2:22]
11.- Big Top Pee Wee: Main Titles/Rise 'N Shine/Pee Wee's Love Theme [5:24]
12.- The Simpsons: Theme [1:30]
13.- Alfred Hitchcock Presents: The Jar: Suite [3:20]
14.- Tales from the Crpyt (Theme) [1:29]
15.- Face Like a Frog: Suite [2:08]
16.- Forbidden Zone: Love Theme [1:16]
17.- Scrooged: Main Titles/Show Time at Ibc/Elliot Gives Blood/Walter ... 

Running Time: 73 minutes 22 seconds




Music for a Darkened Theatre: Volume 1: (Danny Elfman) Most fans of rocker-
turned-composer Danny Elfman fell in love with his music in the late 1980's, 
entranced by his ability to both entertain with wacky orchestral idea and melt 
hearts with his extraordinary sense for the melodramatic. Even the most devoted 
fans of the composer will admit that the he has produced some (lovably) strange 
music in his career. The "Music for a Darkened Theatre: Volume 1" compilation of 
early Elfman film and television music, covering 1985 to 1990, serves up a 
healthy dose of vintage material, much of which remains difficult or impossible 
to find in other commercial form. A second volume of "Music for a Darkened 
Theatre" released six years later would feature samplings of Elfman's scores 
from 1991 to 1996 (primarily) on two CDs. Now decades after the fact, you cannot 
say that Elfman's music has followed a distinct pattern as he has matured in the 
role of a film music composer. But in 1991, all one would have to do is listen 
to Edward Scissorhands and "Music for a Darkened Theatre: Volume 1" to indeed 
notice an early pattern. From the rock sounds of Oingo Boingo, Elfman was on a 
course in 1990 to vault himself into the stars of orchestral soundtrack legends, 
with Batman albums flying off of music store shelves in record numbers. But, as 
Elfman would have it, his career would proceed like a whirlwind of stylistic 
experimentation and ventures into the unknown, punctuated by a series of efforts 
in the late 1990's that barely resembled his early, most popular works. His 
knack for being consistently unpredictable continued well into the 2000's. On 
"Music for a Darkened Theatre: Volume 1," though, you hear an excellent cross-
section of this talent across the entire range which brought Elfman into the 
forefront in the first place. Suites from Batman, Nightbreed, and Darkman 
provide the bulk of the serious, orchestral material, and are all well 
assembled. Every time you see another performing group kill one of these scores 
in a poor arrangement (and Batman especially) you have to wonder why they just 
don't take a cue from Elfman's own choices for suites here. He does a remarkable 
job of choosing the most interesting and superior cues for inclusion in the 
suites, with only a little evidence of editing noticeable to the most ardent 
fans of the original, fuller albums.

For the strictly orchestral fans who will mostly appreciate the above-mentioned 
scores, there is a significant amount of Elfman's pop-inspired electronic 
material on this compilation of which to be weary. The 1986-1988 pieces, such as 
Midnight Run and Wisdom, present the more hip and stylish side of Elfman's 
sensibilities, though these degenerate into pure comedy in Hot to Trot and Face 
Like a Frog. The latter score's selection here is described by Elfman as 
"midnight madness" and easily stands as one of the most unstable, deranged 
pieces of film music to ever be recorded (not to mention being of questionable 
listenability). The television score selections are each interesting in their 
own right, but they often run too briefly to establish a distinct mood. Thus, 
the latter half of the album is as inconsistent of a listening experience as you 
might expect. The Pee Wee music on the album is certainly creative, if not 
successful in perpetuating a sick, carnival sort of atmosphere (people with a 
built-in pervert meter could have problems with it; it's not surprising that the 
title "Pee Wee's Love Theme" strikes an off chord). Those fans for whom Pee Wee 
music doesn't remind of perverts will likely be impressed by the sheer energy of 
these pieces. The album finishes with one of Elfman's most sought after early 
scores, unavailable on commercial album and very reminiscent of Beetlejuice in 
its morbid mood. The suite presented here from Scrooged will service the needs 
of most Elfman collectors for music from that early orchestral work. On the 
whole, both "Music for a Darkened Theatre" albums are the equivalent of 
promotional samplers for the composer, packaged neatly into an attractive 
commercial form. As listening experiences (as is the case with most samplers), 
it is difficult to sit down and enjoy the album from beginning to end unless you 
are among the most devoted fans of the composer. For more casual Elfman fans, as 
well as the orchestral film music collector in general, the second "Music for a 
Darkened Theatre" double-CD set is a more advisable purchase, because it 
presents a wider range of works with equally strong selection choices by the 
composer himself. But for those Elfman fanatics, it's hard to go wrong with 
"Music for a Darkened Theatre: Volume 1." It'll be a whole lot of fun and it'll 
definitely reaffirm why you love the guy's music.


The first of Danny Elfman's two Music for a Darkened Theatre compilations 
focuses on the music he composed for film and TV up to 1990 - in essence, the 
music that put him on the film scoring map. All his five biggies are there - the 
dark, rich and triumphant 'Batman'; the fun and quirky 'Beetlejuice', the 
dramatic 'Dick Tracy', the melodramatic 'Darkman' and the beautiful but slightly 
disturbing 'Scrooged' - but if one is to be perfectly honest, much of Elfman's 
mainstream music tends to be quite similar. In all of the scores mentioned above 
he uses the same orchestrations and musical styles - swirling strings, trumpet 
fanfares, bouncy melodies, harps and wordless chanting female choirs - and, if 
the truth be known, I think it is precisely because of this that Elfman has 
never quite reached the heights his contemporaries have. His usual orchestral 
style rarely differs from score to score and, although the music always works 
perfectly well in the film and is popular with the public, it is only when he 
diversifies into other styles that he really shines. This is not to say that the 
music on this album is bad in any way - in fact most of it is extremely good 
and, if anything, goes a long way to prove what a talented individual Elfman is 
when he breaks free from his musical shackles: in addition to the five mentioned 
above, 'Midnight Run' is one of my favourites - a driving rock piece with 
electric guitars, funky trumpets and a bluesy piano; 'Wisdom' is an unusual 
piece performed by Elfman himself on an ethnic-sounding synthesiser; 'Hot to 
Trot' is a brilliant, upbeat boogie for accordions and an acoustic guitar, 'Big 
Top Pee-Wee' is just about the best piece of "roll up, roll up" circus music I 
have ever heard and, in addition to film scores, the album also presents 
Elfman's two most famous TV themes, for 'The Simpsons' and 'Tales from the 
Crypt'. But if you want a piece of music to sum up Elfman's musical personality 
to a tee, listen to 'Face Like A Frog' - it's diverse, fun, and musically clever 
but doesn't take itself too seriously. Excuse me, did someone say weird...


Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 5. April 2009, 0:31

Danny Elfman / Music For A Darkened Theatre - Film & Television Music - Volume 

Used drive  : HL-DT-STDVD-RAM GSA-H55N   Adapter: 3  ID: 1

Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : No
Make use of C2 pointers : No

Read offset correction                      : 102
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : No
Used interface                              : Native Win32 interface for Win NT 
& 2000
Gap handling                                : Appended to previous track

Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : F:Archivos de programaExact Audio 
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T 
"ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T
"COMMENT=%e" %s -o 

TOC of the extracted CD

     Track |   Start  |  Length  | Start sector | End sector 
        1  |  0:00.00 |  7:01.62 |         0    |    31636   
        2  |  7:01.62 |  8:25.20 |     31637    |    69531   
        3  | 15:27.07 |  3:03.65 |     69532    |    83321   
        4  | 18:30.72 |  3:43.03 |     83322    |   100049   
        5  | 22:14.00 |  7:03.27 |    100050    |   131801   
        6  | 29:17.27 |  6:55.03 |    131802    |   162929   
        7  | 36:12.30 |  1:30.17 |    162930    |   169696   
        8  | 37:42.47 |  4:42.43 |    169697    |   190889   
        9  | 42:25.15 |  4:39.55 |    190890    |   211869   
       10  | 47:04.70 |  2:22.12 |    211870    |   222531   
       11  | 49:27.07 |  5:24.28 |    222532    |   246859   
       12  | 54:51.35 |  1:30.65 |    246860    |   253674   
       13  | 56:22.25 |  3:20.47 |    253675    |   268721   
       14  | 59:42.72 |  1:29.20 |    268722    |   275416   
       15  | 61:12.17 |  2:08.48 |    275417    |   285064   
       16  | 63:20.65 |  1:16.37 |    285065    |   290801   
       17  | 64:37.27 |  8:42.08 |    290802    |   329959   

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