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Eagles - On The Border (1974) AAC 320 Country Rock

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Description

Music : Other : AAC
     Artist       : The
Eagles
Album      : On The Border
Genre       :  Country Rock
Year         :1974
Tracks      : 10
Playtime  : 40:29
Size         : 118 MB
Codec      : AAC 320:Stereo:16/4100:438 hz:Full ID3 Tags
Producers: Bill Szymczyk, Glyn Johns
Label        :Asylum
                This Album  Contains Enhanced
Audio To Improve Sound Quality. Audio Sample At Bottom Of Page.
                Volume Does Not Equal Quality.Hear
& Feel The Music!

Virus Free:No Encryption:Plays In All Players With AAC Support.
All My Enhanced
Albums Are Uploaded In The Format & Quality I Have I Do Not Convert I Prefer Flac If I Have It Available At The
Time.
Original Album Volume Preserved.

This Album Is Pitch Shifted From 440 hz To 438 hz(The Schumann
Earth Resonance)A= 440 hz Only Hits On (8) Notes Of The (12) Note Scale & Is Devisable By (2) A= 438 hz Hits On All
(12) Notes Of The Musical Scale & Is Devisable By (3) A Sacred Number + The Kings Chamber In The Great Pyramid Of
Giza Is Tuned To & Resonating At A Perfect 438 hz At F#.
 
 
Original Sound Wave (Master) Analog
Sound Wave (Vinyl) Digital Sound Wave (CD)
As You Can See In The Above Photo The Analog Sound Wave
(Vinyl)Reproduces The Master Perfectly
& The Digital Sound Wave (CD) Only Records Snapshots Of The Wave At
44,100 Samples Per Second
At This Rate 50% Of The Audio Frequencys Are Stripped Away.Now I Can,t Get Back Whats Not
There
However I Can Improve The Digital Audio To Make The Listening Experience More Enjoyable & In This
Reguard Ive Been Very Successful As The Before & After Sample Comfirms Thanks Friends.
Before & After
Sample
https://sendvid.com/4bx0f0wi

"Already Gone" (Jack Tempchin, Robb Strandlund) –
4:15
Lead vocal by Glenn Frey, Lead guitar by Glenn Frey, Guitar solos by Glenn Frey and Don Felder Ending dual
guitar solo by Glenn Frey and Don Felder

"You Never Cry Like a Lover" (J.D. Souther, Don Henley)
– 4:00
Lead vocal by Don Henley, lead guitar (uncredited) by Bernie Leadon

"Midnight
Flyer" (Paul Craft) – 3:55
Lead vocal by Randy Meisner, Slide guitar by Glenn Frey, Banjo by Bernie
Leadon

"My Man" (Bernie Leadon) – 3:29
Lead vocal and pedal steel guitar by Bernie
Leadon

"On the Border" (Henley, Leadon, Glenn Frey) – 4:23
Lead vocals by Don Henley,
T.N.T.S. by "Coach", claps by The Clapetts, lead guitar (uncredited) by Glenn Frey

"James
Dean" (Jackson Browne, Frey, Souther, Henley) – 3:38
Lead vocal by Glenn Frey, Lead guitar by Bernie
Leadon

"Ol' '55" (Tom Waits) – 4:21
Lead vocals by Glenn Frey and Don Henley, pedal
steel guitar by Al Perkins, piano by Glenn Frey

"Is It True?" (Randy Meisner) – 3:14
Lead vocal by Randy Meisner, Slide guitar by Glenn Frey

"Good Day in Hell" (Henley, Frey)
– 4:25
Lead vocals by Glenn Frey and Don Henley, Lead and slide guitar by Don Felder

"Best
of My Love" (Henley, Frey, Souther) – 4:34
Lead vocal by Don Henley, pedal steel guitar by Bernie
Leadon


The album was initially produced by Glyn Johns and recorded at Olympic Studios in London, but
during the making of the album, disagreement arose between the band and the producer. As the band tried to lean towards
a more hard rock sound, they felt that their producer Glyn Johns overemphasized their country-influenced rock sound. The
band, Glenn Frey in particular but not Don Henley, was also unhappy with the no-drug policy of Johns during the
recording, furthermore they did not feel at home recording in London. The band spent six weeks recording in London, with
both the band and the producer becoming frustrated with each other. The band then took to a break, decided to find a new
producer and discarded all the recordings except for two usable tracks, "Best of My Love" and "You Never
Cry Like a Lover".

The band relocated back to their native California and hired Bill Szymczyk, who had
previously produced two rock albums by Joe Walsh (he would later join the band in late 1975) that interested the band.
The band recorded the rest of the album at the Record Plant Studios in Los Angeles. The band wanted more input how the
album was made, and Frey felt that they enjoyed more freedom with Szymczyk in the making of the album. Szymczyk
suggested they bring in a harder-edged guitarist to add slide guitar to the song "Good Day in Hell". Bernie
Leadon suggested his old friend Don Felder, whom they had met and jammed with on a few occasions. The band was so
impressed that they invited Felder to become the fifth Eagle. The only other track on this album on which he appeared
was "Already Gone". They credited him as a late arrival on the album's liner notes.

On the
difference in sound between Johns' and Szymczyk's productions, Henley said: "There’s a lot less echo with
Bill, for one thing. There’s more of a raw and funky presence. Glyn had a stamp he put on his records which is a
deep echo that is really smooth like ice cream". He thought that the production on the two songs Johns that
produced was good and necessary.[5] Frey, however, found that L.A. country-rock records were "all too smooth and
glassy", and wanted a "tougher sound".Their friend and collaborator J. D. Souther ascribed the change of
producer to "Eagles’ desire to get more of a live, thin sound on the albums".

The first two
singles release were more rock-orientated; Frey was reluctant to release Johns-produced "Best of My Love" as a
single and held off its release for some months. However, when it was finally released, the label had truncated the song
so that it would be more radio-friendly without the band's knowledge or approval. The song would become their biggest
hit thus far, and their first No. 1 on the charts.                                                            Show Demonoid some love
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