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El Alamein - The Line of Fire (2002) [BDRip 720p - MKV] Drama - Rus Ita [TNT Village]


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Torrent File Content (1 file)


     El.Alamein.2002.BDRip.720p.mkv -
5.07 GB



Description



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Nazione: Italia
Gen: Drama, War
Anno: 2002
Durata: 1:53:33
Audio: Rus Ita
Subtitle: None
Regia: Enzo Monteleone
Cast: Paolo Brigulya, Pierfrancesco Favino, Luciano Scarpa, Emilio Solfritstsi, Thomas Trabakki, Giuseppe Chederna, Roberto Sitran, Silvio Orlando
Rilascio Tipo: BDRip 720p
Contenitore: MKV
Video: MPEG-4 AVC, 1244x542 (2.30:1), 25 fps, ~ 4686 kbps, 0,278 bit / pixel
Audio # 1: Rus, Audio Coding 3, DD 2.0 ch, 48 kHz, 192 kbps | a due voci
Audio # 2: Ita, Sistemi di Digital Theater, 5.1 canali, 48 kHz, 1510 kbps | originale




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El Alamein: The Line of Fire (2002) is an Italian film about the plight of the Italian soldiers during and immediately after the climactic battle of North Africa at El Alamein. It won three Italian Academy Awards (best editing, sound design, photography) and has done the rounds at various international film festivals. Given the source of the film, I was very curious to see how the Italian production team would handle Italian participation in North Africa. In my estimation, it was portrayed admirably well.

http://i86.photobucket.com/albums/k81/Ligeia121/FORUM/ELALAMEIN01.jpg
The movie basically assumes you have some knowledge of Italian participation in World War II, and does little to set the stage or provide background. One can only assume that Italians in general are well aware of what happened, so as not to need a primer. However, to briefly summarize, the Italians were unprepared, ill-equipped, and only half-heartedly interested in being in the fighting of World War II. Largely victims of Mussolini and his imperial ambitions, the Italian soldiers were sent out to fight a war in which they often had to be rescued by the more disciplined and better equipped German army. Most relevant to this film, the Italians of North Africa fought mostly on foot – not having the motorized capabilities of the German or the Allied forces. Obviously walking around the desert is not the way to win a war…and so they were assigned the least desirable positions (such as garrison duty), and were commonly left behind or surrounded when faster enemy motorized units were involved.

El Alamein is the story of one soldier (Serra) who volunteers to fight for Italy, after believing the propaganda that the Italians were about to march into Alexandria. His first posting is deep in the desert on the southern end of the El Alamein line with the Pavia infantry division, facing the British. We are introduced to his new unit, and the abhorrent conditions in which they were forced to live. Supposedly taken from first hand accounts, the imagery is stark and the conditions are simulated so well you really believe this is 1942. Learning about the life in the trenches is where this film really shines, and it is easy to empathize with the men of Serra's unit who know they have been given a rotten, and ultimately futile task. When the Tommies finally attack, I was torn as to which side I should root. In the end, as with all wars, there are only losers…and both sides suffer grieviously.


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Yet, the last half of the movie shows the true losers at El Alamein were the shattered Italians. No longer holed up in their dirty defensive trenches, they are ordered to fall back into the desert – all the while the retreating Germans and the pursuing British are well past them in the north. On foot, the Italians became victims of their environment. Only near the end do we finally get a brief glimpse of the Italian Generals in charge; they laughably instruct the bedraggled soldiers to keep up the good fight. Of course, they promptly drive off and leave their men to the wasteland… As was true in reality, many Italians chose to be captured by the British rather than die in the desert well behind the front lines.

The movie does have some technical flaws, with the most notable showing British "88s" bombarding the Italian positions (the Germans actually had the famed "88" Anti-Aircraft Artillery piece). The few large pieces of hardware are modern tanks dressed up in camoflage netting so as to hide their appearance, and they are used at night (which was historical) to further disguise them. Presumably due to technical reasons the tanks attacked with headlights beaming (they would have been invisible otherwise) which would have made for some tasty targets in real life. The battle scenes are brief and frantic, but are clearly not the centerpiece of the movie.



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El Alamein - La linea del fuoco è un film del 2002 diretto da Enzo Monteleone, con Paolo Briguglia, Emilio Solfrizzi, Thomas Trabacchi, Luciano Scarpa e Pierfrancesco Favino. Questo film è riconosciuto come d'interesse culturale nazionale dalla Direzione generale per il cinema del Ministero per i Beni e le Attività Culturali italiano, in base alla delibera ministeriale del 8 luglio 2001.

Africa Settentrionale, 120 km da Alessandria d'Egitto, estate 1942, il fante Serra, volontario universitario palermitano, è inviato al fronte dove giunge con grande spirito patriottico, venendo assegnato al 28º Reggimento fanteria "Pavia" della Divisione Pavia, inquadrata nel X corpo d'armata. Egli, al pari di molti italiani in patria, è certo che la città egiziana sarà presto conquistata e la campagna del Nordafrica sarà conclusa vittoriosamente, confidando di partecipare alla sfilata trionfale che si svolgerà ad Alessandria dopo l'occupazione.

La realtà del fronte è tuttavia molto diversa da quella sperata: il caldo è insopportabile, i soldati sono tutti colpiti dalla dissenteria, l'armamento è inadeguato, il cibo insufficiente, l'acqua è razionata ed inquinata e l'artiglieria britannica martella costantemente le posizioni italiane, lasciandogli un po' di respiro solo di notte. Egli prende contatto nel modo peggiore con la vita di trincea, vedendo morire un caporale, colpito da una salva di artiglieria, che lo stava accompagnando al suo reparto dopo essersi presentato al comandante, il tenente Fiore, ed in quel momento viene informato dei " tre miracoli", ossia le tre possibilità che secondo i commilitoni ognuno ha a disposizione prima di morire.

Nel periodo in cui il fronte è fermo Serra stringe amicizia con alcuni camerati: Spagna, De Vita, il mortaista Tarozzi e soprattutto il sergente Rizzo, un veterano veneto, in guerra da due anni, tutti passati al fronte, il quale, durante un pattugliamento all'interno della depressione di Qattara gli racconta di come sia riuscito ad evadere da un campo di concentramento e tornare al fronte perché "per un soldato non è mica bello essere prigioniero"; il sergente prende in simpatia il giovane volontario e gli insegna tutti i modi possibili per sopravvivere in quell'inferno, dato che la grande offensiva per la conquista di Alessandria, a dispetto dell'invio di un carico di lucido per scarpe, spedito, insieme al cavallo di Mussolini, in prospettiva della parata, non ci sarà: le forze mobili non sono disponibili, l'Afrika Korps, comandato dal generale Erwin Rommel, ha esaurito il carburante e si prepara a ripiegare e gli inglesi aprono continuamente dei corridoi nei campi minati italiani, facendo presagire una controffensiva.

La disillusione si impadronisce presto di Serra, tanto che, travolto dall'orrore dopo l'attacco Alleato del 23 ottobre, arriverà a considerare che "a scuola ti insegnano: fortunato chi muore da eroe, ma i morti non sono nè fortunati nè sfortunati, sono morti e basta". La ritirata delle forze superstiti della "Pavia", della "Folgore" e dell'"Ariete" viene propagandata da ottusi ufficiali come "sganciamento", in prospettiva di una nuova futura avanzata, ma i soldati si rendono conto che il fronte ormai è sfondato e che sono stati lasciati soli senza nemmeno i camion per raggiungere le retrovie che, sotto l'urto dell'8ª armata britannica, si spostano continuamente verso ovest, tanto che persino gli ospedali da campo sono costretti ad attendere l'arrivo degli inglesi per potere curare meglio i feriti che non possono essere trasportati.

Dopo che gli ultimi soldati del manipolo rimasto al comando del tenente Fiore vengono fatti prigionieri durante la notte, questi, insieme a Rizzo ed a Serra, rimane solo, tentando di raggiungere le retrovie a piedi attraverso il deserto ma la ferita non curata che ha subito durante un combattimento lo ha debilitato al punto che non riesce più a proseguire ed, insieme a Rizzo, sceglie di sacrificarsi per permettere a Serra di salvarsi, a bordo di una motocicletta che non può trasportarli tutti, e di tornare un giorno a trovarli al Sacrario per ricordarli.


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Complete name : El.Alamein.2002.BDRip.720p.mkv
Format : Matroska
Format version : Version 2
File size : 5.07 GiB
Duration : 1h 53mn
Overall bit rate : 6 389 Kbps
Encoded date : UTC 2011-08-11 22:48:12
Writing application : mkvmerge v4.8.0 ('I Got The...') ?????? ?? May 24 2011 03:12:58
Writing library : libebml v1.2.0 + libmatroska v1.1.0

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ID : 1
Format : AVC
Format/Info : Advanced Video Codec
Format profile : [email protected]
Format settings, CABAC : Yes
Format settings, ReFrames : 8 frames
Codec ID : V_MPEG4/ISO/AVC
Duration : 1h 53mn
Bit rate : 4 686 Kbps
Width : 1 244 pixels
Height : 542 pixels
Display aspect ratio : 2.25:1
Frame rate : 25.000 fps
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Bits/(Pixel*Frame) : 0.278
Stream size : 3.62 GiB (71%)
Title : El Alamein: La Linea Del Fuoco
Writing library : x264 core 115 r2008 4c552d8
Encoding settings : cabac=1 / ref=8 / deblock=1:-2:-2 / analyse=0x3:0x133 / me=umh / subme=9 / psy=1 / psy_rd=1.20:0.20 / mixed_ref=1 / me_range=16 / chroma_me=1 / trellis=2 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=-3 / threads=6 / sliced_threads=0 / nr=0 / decimate=0 / interlaced=0 / bluray_compat=0 / constrained_intra=0 / bframes=3 / b_pyramid=2 / b_adapt=2 / b_bias=0 / direct=3 / weightb=1 / open_gop=0 / weightp=2 / keyint=250 / keyint_min=2 / scenecut=40 / intra_refresh=0 / rc_lookahead=60 / rc=2pass / mbtree=1 / bitrate=4686 / ratetol=1.0 / qcomp=0.60 / qpmin=10 / qpmax=51 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / vbv_maxrate=38000 / vbv_bufsize=38000 / nal_hrd=none / ip_ratio=1.40 / aq=1:1.00
Language : Italian

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ID : 2
Format : AC-3
Format/Info : Audio Coding 3
Mode extension : CM (complete main)
Codec ID : A_AC3
Duration : 1h 53mn
Bit rate mode : Constant
Bit rate : 192 Kbps
Channel(s) : 2 channels
Channel positions : Front: L R
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Compression mode : Lossy
Stream size : 156 MiB (3%)
Title : DVO
Language : Russian

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ID : 3
Format : DTS
Format/Info : Digital Theater Systems
Codec ID : A_DTS
Duration : 1h 53mn
Bit rate mode : Constant
Bit rate : 1 510 Kbps
Channel(s) : 6 channels
Channel positions : Front: L C R, Side: L R, LFE
Sampling rate : 48.0 KHz
Bit depth : 16 bits
Compression mode : Lossy
Delay relative to video : 11ms
Stream size : 1.20 GiB (24%)
Title : Original
Language : Italian


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