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John Scofield - Groove Elation

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Description

John Scofield - Groove Elation!



 



Audio CD (October 24, 1995) 

Original Release Date: October 24, 1995 

Number of Discs: 1 

Label: Blue Note Records 

Genre: Jazz/Blues,Acid/Jazz and mutch Groove

Format: Mp3 320Kbps







listen to sample

http://www.amazon.com/gp/recsradio/radio/B000005H0B/ref=pd_krex_dp_a/179-0881896-2256668



video jam session

http://it.youtube.com/watch?v=isKY6Ht_OGQ&feature=related



Personnel: 



John Scofield (acoustic & electric guitars);

Billy Drewes (tenor saxophone, flute); 

Howard Johnson (baritone saxophone, tuba, bass clarinet); 

Randy Brecker (trumpet, flugelhorn); 

Steve Turre (trombone); 

Larry Goldings (piano, organ); 

Dennis Irwin (bass); 

Idris Muhammad (drums); 

Don Alias (percussion).





Tracklist



Lazy (04:47) 

Peculiar (06:35) 

Let the Cat Out (05:37) 

Kool (04:52) 

Old Soul (05:23) 

Groove Elation (06:51) 

Carlos (07:29) 

Soft Shoe (06:07) 

Let It Shine (06:05) 

Bigtop (06:32) 

 



bio



John Scofield is considered one of the "big three" of current jazz guitarists - along with Pat Metheny and Bill Frisell.
His influence began in the late 70’s and is going strong today. Possessor of a very distinctive sound and
stylistic diversity, Scofield is a masterful jazz improviser whose music generally falls somewhere between post-bop,
funk edged jazz, and R & B.



Born in Ohio and raised in suburban Connecticut, Scofield took up the guitar at age 11, inspired by both rock and blues
players. He attended Berklee College of Music in Boston. After a debut recording with Gerry Mulligan and Chet Baker,
Scofield was a member of the Billy Cobham-George Duke band for two years. In 1977 he recorded with Charles Mingus, and
joined the Gary Burton quartet. He began his international career as a bandleader and recording artist in 1978. From
1982-1985, Scofield toured and recorded with Miles Davis. His Davis stint placed him firmly in the foreground of jazz
consciousness as a player and composer.



Since that time he has prominently led his own groups in the international Jazz scene, recorded over 30 albums as a
leader (many already classics) including collaborations with contemporary favorites like Pat Metheny, Charlie Haden,
Eddie Harris, Medeski, Martin & Wood, Bill Frisell, Brad Mehldau, Mavis Staples, Government Mule, Jack DeJohnette, Joe
Lovano and Phil Lesh. He’s played and recorded with Tony Williams, Jim Hall, Ron Carter, Herbie Hancock, Joe
Henderson, Dave Holland, Terumasa Hino among many jazz legends. Throughout his career Scofield has punctuated his
traditional jazz offerings with funk-oriented electric music. All along, the guitarist has kept an open musical mind.



Touring the world approximately 200 days per year with his own groups, he is an Adjunct Professor of Music at New York
University, a husband and father of two.



review



John Scofield is a phenomenal player. He's one of those players that makes you want to slam your fingers in a door and
run your guitars through a wood chipper. A tendency for guitar players is to let their guitars "talk" too much, but not
Scofield. His phrasing only contains the right number of notes and they are never rushed. He's also not afraid of
letting his guitar be silent either, letting his pauses build tension in the music as rhythm keeps moving forward. Don't
be mistaken that this is a guitar album, because it is not. This album might have Scofield's name on it, but it is
definitely a group effort. Larry Goldings adds to the magic with counterpoint on the organ and piano, the walking bass
of Dennis Irwin, and drummer Idris Muhammad drums the way jazz should be played. 

All of the songs on this album are keepers, and were written by Scofield. Each song is inherently different, and
provides a great listening experience. From his soft tones in "Soft Shoe" to the opening groove in "Lazy", Scofield
writes and plays beautifully. Scofield also brings horns into the mix with songs like "Bigtop", "Lazy", and "Kool".



This is a fun album to listen to as the band interacts as one. Each member builds off of the other. Even though the
soloist stands out, you can still hear each individual member as if they were playing alone. Very rarely do you hear
such talent mix so well that one is not playing on top of another. If you're into jazz, admire great musicians, and like
music that has something to say, look no further.

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