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Michel Doneda, Rhodri Davies, Louisa Martin, Phil Minton, Lee Patterson - 2010 - Fragment Of The Cadastre (FLAC, Another Timbre)

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Music : Jazz : Lossless
      

Another Timbre. No cat.#.

1	Untitled	43:00

Louisa Martin: laptop
Rhodri
Davies: harp, preparations
Lee Patterson: amplified objects
Michel Doneda: soprano
saxophone
Phil Minton: voice

Recorded in concert at Seven Artspace, Leeds, United Kingdom,
2009-01-09

The quintet in question are Michel Doneda, (soprano sax) Rhodri Davies, (harp and preparations)
Louisa Martin, (laptop) Phil Minton, (voice) and Lee Patterson (amplified objects). The recording is a forty-odd minute
long live concert set beautifully captured in Leeds the night before the Midhopestones album recording was made. This
release, for reasons I am unsure of, is named Fragment of the Cadastre. I really enjoyed Midhopestones, it was one of my
favourites from last year, an example of  a larger group that really worked well together, superbly balanced and able to
create a sound that sounded wholly organic, one big seething mass of detailed delicate sounds rather than just the sum
product of five musicians playing together. Fragment… is very much the same, layers of intricate sounds that
combine together really well, with maybe fifty percent of what we hear unattributable to a particular musician. The
music shifts slowly through sections that vary in volume and density, slipping into near silence at its quietest, making
the speakers really work at its busiest. Although all of the sounds slip over each other with apparent ease the music
does not feel like a drone. It changes too much, too often, and on occasions it really surprises. After a very gradual
opening period in which assorted textures and colours are allowed to mass together, Minton suddenly comes to the fore,
having remained very subtle with his vocalisations until now. There is a sudden burst of inhuman crackles and gurgles
from him that shows up as a spike above the undulating swarms below, and this triggers the first of several periods of
furtive activity. An obvious analogy, particularly with Lee Patterson involved, but I am reminded of a saucepan of water
on the stove, starting with the surface only broken by the occasional bubble hitting the surface, and slowly building
until suddenly things seem to accelerate very fast and the pan boils over into a mass of foam running everywhere.
If this structure to the music sounds very simple well, I guess it is. In many ways this recording is of archetypal
modern electroacoustic improvisation, no great challenge to the listener, but it is simply very beautiful in its
details, its layers of filigree gauze lit from below sliding over each other. In my review of the Midhopestones album
proper I said that sometimes sheer beauty is enough, we don’t always need to be made to rethink everything and
anything when we sit and listen to. My opinion hasn’t changed having listened to this additional recording.
Wonderful music. - Richard Pinnell, The Watchful Ear                                                            Show Demonoid some love
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