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Montague-Piano Concerto

    Seeders : 5      Leechers : 3
Hash :2409A999A67362AA4EAF6FD747AA1C6E69F3C2B2
Added :1 Year+ in Music - Music
Size :317.89 MB
Stream :WATCH ONLINE @ Movie4u

Montague-Piano Concerto
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Montague-Piano Concerto
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Stephen Montague: Concerto for piano and orchestra (1997)
Rolf Hind (piano)
BBC Symphony Orchestra
Grant Llewellyn (conductor)

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Concerto for Piano and Orchestra is for the traditional arrangement of soloist and orchestra, but is often anything but traditional.
Although I have lived in Britain since 1974 my musical heroes have remained transatlantic: I admire Charles Ives's
unapologetic juxtaposition of vernacular music and the avant-garde, Henry Cowell's irreverent use of fist, arm and elbow
clusters on the keyboard, the propulsive energy of minimalism and John Cage's radical dictum that 'all sound is music'.
My work is the confluence and synthesis of these interests with my American roots.
As a child I lived in the Deep South where the scars of the American Civil War (1861-65) never stopped festering and
the rich vernacular music of that era continued to stir passions. Every school child knew folksongs like John Henry and
Negro spirituals such as Were you there when they crucified my Lord?. Some of the more rousing Civil War songs like Dixie required
every good Southerner to stand at attention. Equally, The Battle Hymn of the Republic sent a chill down the spine of every Northerner.

Charles Ives' accounts of his childhood in a small New England town at the end of the last century are well known.
They resonate for me with my own similar experiences two generations later in the South-
parades, marching bands, church meetings, hymns, folk and gospel music- material eminently suitable for musical exploitation.

The work is dedicated to my parents: Maude and Richard Montague.

The concerto is in three movements:

1. Fast and Impetuous- "I have read a firey gospel writ in burnished rows of steel."
2. Adagio- "Were you there when they crucified my Lord?"
3. Presto-"He has sounded forth the trumpet that shall never call retreat."

The second and third movement are joined without a break.

Stephen Montague

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