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Patrick Pleau - Hype-Moi (320kbps)

    Seeders : 2      Leechers : 2
Hash :58AFC09E77E53E86ACE62610ED2C9E18A0019FBA
Added :1 Year+ in Music - Music
Size :107.41 MB
Stream :Watch Full Movies Online @ Movie4u
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Patrick Pleau - Hype-Moi (320kbps)
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Torrent File Content (14 files)

Patrick Pleau - Hype-Moi (320kbps)
     01 - Patrick Pleau - Antigénie.mp3 -
7.72 MB

     02 - Patrick Pleau - L'inocéros.mp3 -
8.25 MB

     03 - Patrick Pleau - Bocalophobe.mp3 -
7.62 MB

     04 - Patrick Pleau - Tous Les Clichés Du Monde.mp3 -
11.58 MB

     05 - Patrick Pleau - Prélune En Mi Majeur.mp3 -
2.24 MB

     06 - Patrick Pleau - Cimetière Lunaire.mp3 -
8.87 MB

     07 - Patrick Pleau - L'écran Bleu De La Mort.mp3 -
11.18 MB

     08 - Patrick Pleau - Valérie.mp3 -
10.64 MB

     09 - Patrick Pleau - Café Noir.mp3 -
8.8 MB

     10 - Patrick Pleau - Rien À Comprendre.mp3 -
10.83 MB

     11 - Patrick Pleau - Dispute Entre Âmes Soeurs Et Frères.mp3 -
13.38 MB

     Hype-Moi.jpg -
109.31 KB

     Patrick Pleau - Hype-Moi complete booklet.pdf -
6.19 MB

     Patrick Pleau - Hype-Moi.m3u -
1001 bytes


Patrick Pleau’s claim to fame came in 2007 along with his band Plajia and the
release Beautiful Explosion; an album for which Patrick wrote the majority of the lyrics and music. Beautiful Explosion
was nominated in 2008 for Archambault’s ‘Grand Prix de la relève’ (with fellow nomeniees :
Tricot Machine, Samian, Alfa Rococo, Gaële, Le Husky & Bruno Marcil).

Hype-Moi, Patrick’s first solo project produced by Bob & Bill (Guy Dubuc and Marc Lessard) ranges from urban to oneiric themes. Several songs also make light of his “Geek / Internet” persona; tongue-in-cheek references to his past reputations. Raised in a musical environment (Patrick’s father was a DJ), it is with this first francophone release that he refined his lyrical stylings which he describes as “Peter Pan-like controlled naiveté” with songs written between 2002 and 2008 (including previously unreleased tracks from Plajia). Hype-Moi could be considered as the logical follow-up to Beautiful Explosion, with more of a masterful production and craftier songs (as shown by its first radio-single; Bacolophobe).

Though seemingly provocative, the album’s title Hype-Moi (Hype-Me) is a humorous invitation — one that should not be taken as a direct assault against critics but might recommend a different approach with which to showcase up-and-coming artists. Further following the example set by Beautiful Explosion, on Hype-Moi Patrick carefully utilizes sonic landscapes of popular 70s instruments such as Fender Rhodes and Wurlitzer keys.

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