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Pavle Aksentijevic - Srbljak

    Seeders : 5      Leechers : 2
Hash :800522F6BC1F8C317831DA9115FE08026641FC89
Added :1 Year+ in Music - Music
Size :49.59 MB
Stream :WATCH ONLINE @ Movie4u

Pavle Aksentijevic - Srbljak
Anonymous and Direct Download 300GB+ free

Trackers List

Tracker NameLast CheckStatusSeedersLeechers

Torrent File Content (7 files)

Pavle Aksentijevic - Srbljak
     Pavle Aksentijevic - 01. Prezrevshi niznje.mp3 -
6.71 MB

     Pavle Aksentijevic - 02. Istache chudesa.mp3 -
6.58 MB

     Pavle Aksentijevic - 03. Um okrilativshi - Kratima.mp3 -
11.63 MB

     Pavle Aksentijevic - 04. Aliluja.mp3 -
2.04 MB

     Pavle Aksentijevic - 05. Srpska velika crkva.mp3 -
9.41 MB

     Pavle Aksentijevic - 06. Zapade sav, raduj se.mp3 -
3.89 MB

     Pavle Aksentijevic - 07. Ko da te ne blazi - kratima.mp3 -
9.33 MB


SRBLJAK marks a collection of the entire medieval Serbian Church poetry dedicated to Serbian Saints. For a long time
there was a desire to collect all services about Serbian Saints in one place. In 1714 hieromonk Maximus of Rakovica was
the first to have collected the largest number of them, and placed them together in one book — SRBLJAK. Serbian
medieval Church poetry presents one finished and completed whole, which has been written and chanted in the
Serbo-Slavonic language almost until the middle of the 18th century.
With the first service books translated from the Greek language, the Serbs have become acquainted with and have adopted the forms of Church poetry. That medieval artistic poetry has its own laws of creation, so that it does not accept the forms and solutions of popular, oral poetry. A common folk singer and a medieval poet can start from the same vision, but their respective poetics and languages will lead them in separate directions. The same happened with the old Serbian Church poetry which through its language and personal poetic strivings achieved its particularities, and through following the laws of medieval poetics entered into European literature. This poetry is born in the light of hagiographies. The poet already has in front of him the character of the saint epically formed in his hagiography, and only then does he begin to write a service about him.
That poetry has been written for chanting, and poetic creation itself has been understood as chanting. Therefore, only through the harmony of words and sound can illuminations of old Serbian poets be discovered. Not only Serbian but also entire Eastern Christian religious poetry fully realizes its essence and form only in chanting. Serbian Church poetry is not written in verse simply because it is the chanting and not the versification which should have adorned the service.
In the general medieval grading of virtues, Love is understood to be the highest and utmost of them and the strongest driving force in our deeds. The heroes of the Church poetry have been moved in the first place by Love towards beauties above the mind. Love can give wings to the ascetics and drive them towards victory. With the flame of spiritual love the saints follow an ascetic life, separate themselves from the material world, and undergo suffering and death. In this poetry the spiritual merits of the oldest ancestors with which they show the spiritual way to posterity are praised; ascetic separation from the earthly and obtaining a higher kingdom are glorified; and peace and calm for the entire universe are prayed for.

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