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Pete Townshend - Truancy The Very Best of Pete Townshend (2015) FLAC Beolab1700

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  Pete Townshend - Truancy The Very Best of Pete Townshend (2015) FLAC
Beolab1700
  
  
  
 
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   Pete Townshend - Truancy: The Very Best of
Pete Townshend
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Artist...............: Pete Townshend
  Album................: Truancy: The Very Best of Pete Townshend
 
Genre................: Rock
  Source...............: CD
  Year.................: 2015
 
Ripper...............: EAC (Secure mode) / LAME 3.92 & Asus CD-S520
  Codec................: Free Lossless
Audio Codec (FLAC)
  Version..............: reference libFLAC 1.2.1 20070917
  Quality..............:
Lossless, (avg. compression: 66 %)
  Channels.............: Stereo / 44100 HZ / 16 Bit
 
Tags.................: VorbisComment
  Information..........: 
  
  
  Posted by............:
Beolab1700 on 29/06/2015
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Tracklisting
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   Pure
and Easy
   Sheraton Gibson
   Let’s See Action (Nothing Is Everything)
   My Baby Gives It
Away
   A Heart to Hang On To
   Keep Me Turning
   Let My Love Open the Door
   Rough Boys
  
The Sea Refuses No River
   Face Dances (Pt. 2)
   White City Fighting
   Face the Face
   I
Won’t Run Anymore
   English Boy
   You Came Back
   Guantanamo
   How Can I Help You
 

  Tracks 1-3 from Who Came First, Track DL 79189, 1972
  Tracks 4-6 from Rough Mix, MCA 2295, 1977
 
Tracks 7-8 from Empty Glass, Atco SD 32-100, 1980
  Tracks 9-10 from All the Best Cowboys Have Chinese Eyes, Atco
SD 38-149, 1982
  Tracks 11-12 from White City: A Novel, Atco 252392-1, 1985
  Track 13 from The Iron Man,
Atlantic 81966, 1989
  Track 14 from Psychoderelict, Atco 7-82494, 1993
  Track 15 from Scoop, Atco 90063-1,
1983
  Tracks 16-17 are previously unreleased
  
 
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  Truancy: The Very Best of Pete
Townshend premieres two new songs and kicks off what is promised to be “an extensive reissue program for
Townshend’s solo material that will see his catalog remastered and reworked running into 2016.”
  To
that end, Truancy was remastered at Abbey Road Studios, includes new liner notes, an introduction to the two new songs
by Townshend, and highlights from albums including Who Came First (“Pure and Easy,” “Let’s See
Action”), Empty Glass (“Let My Love Open the Door,” “Rough Boys”), the Ronnie Lane
collaboration Rough Mix (“My Baby Gives It Away,” “Keep Me Turning”) and concept albums
including White City (“Face the Face,” “White City Fighting”), The Iron Man (“I
Won’t Run Anymore”) and Psychoderelict (“English Boy”).
  
  Townshend comments in
the press release, “I hope [Truancy] offers a selection that works to introduce new fans to my solo work. I am a
bit of a dabbler, I’m afraid. I am as interested in building, developing and playing with recording studios as I
am with making music. The Who has taken up most of my road hours, and in this year of the 50th anniversary of our first
significant year in 1965, we are back on the road again.”
  
  Truancy premieres two new Townshend
compositions, “Guantanamo” and “How Can I Help You.” The composer observes of the former,
“I thought this song might never see the light of day, but now President Obama has relaxed sanctions in Cuba, it
is a happy sign he might go further. Technically this was created in rather a laborious way. I recorded a long organ
drone using my vintage Yamaha E70 organ (used many times by me on Who and solo recordings in the past), and then cut it
into something that sounded like a song using a feature unique to Digital Performer called ‘chunks.’ This
creates blocks of groups of tracks that can be assembled and disassembled easily, like cutting multitrack analogue tape
with a razor blade, but with less blood. The lyric grew out of the implicit angry frustration in the organ
tracks.”
  
  Of the latter song, he offers, “‘How Can I Help You’ was inspired
partly by the frustrating emotional difficulties experienced by a valued colleague. He was in great physical pain and it
drove him into depression. I performed an acoustic version of the song on my partner Rachel Fuller’s webcast show
In the Attic. I began this recording with an acoustic guitar, added drum loops and breaks then Gretsch and Rickenbacker
12-string guitars and John Entwistle’s hybrid Thunderbird-Fender Precision bass.”.
  
 
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