The Beatles - Please Please Me(1982) MFSL Half Speed Vinyl Remaster 24 96 Flac


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Torrent File Content (30 files)


The Beatles - Please Please Me (1963) [VINYL] {24-96} {MFSL 1-101}
     01 - I Saw Her Standing There.flac -
62.4 MB

     02 - Misery.flac -
38.4 MB

     03 - Anna (Go To Him).flac -
60.7 MB

     04 - Chains.flac -
49.87 MB

     05 - Boys.flac -
49.91 MB

     06 - Ask Me Why.flac -
48.07 MB

     07 - Please Please Me.flac -
41.34 MB

     08 - Love Me Do.flac -
47.48 MB

     09 - P.S. I Love You.flac -
41.15 MB

     10 - Baby It's You.flac -
53.43 MB

     11 - Do You Want To Know A Secret.flac -
38.32 MB

     12 - A Taste Of Honey.flac -
39.98 MB

     13 - There Is A Place.flac -
37.12 MB

     14 - Twist and Shout.flac -
54.37 MB

    Artwork
          EMI Cover.jpg -
637.79 KB

          folder.jpg -
117.75 KB

          LP Sleeve 1 - Tape log.jpg -
2.13 MB

          LP Sleeve 2 - Tape log.jpg -
2.31 MB

          MFSL Cover.jpg -
3.68 MB

          MFSL.jpg -
702.47 KB

          OMR Insert.jpg -
3.32 MB

          Rear Cover.jpg -
1.82 MB

          Side 1 label.jpg -
232.95 KB

          Side 2 label.jpg -
265.41 KB

    Notes
          info.txt -
10.97 KB

          Playlist.m3u -
348 bytes

          Rip Info.txt -
1.38 KB

          Ripped by Dr. Robert.txt -
61 bytes

          The Beatles - Please Please Me (1963) [MFSL 1-101].txt -
10.8 KB

     Torrent downloaded from Demonoid.ooo.txt -
48 bytes



Description



Music : Rock : Lossless
The Beatles - Please Please Me (1963) [MFSL 1-101] 24-bit/96kHz Vinyl Rip - new rip
Posted By : Dr. Robert | Date : 28 Jul 2010 09:30:50 |



The Beatles - Please Please Me
Disc 1 of 14-disc Mobile Fidelity "Beatles Collection"
The 2010 Doc Rob Vinyl Remasters
Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | m3u, no cue or log | Full LP Artwork
713 MB (24/96) + 233 MB redbook | RS + HF | Rock & Roll | 1963
Mobile Fidelity Sound Labs - MFSL 1-101 (1982)
Half-Speed Mastered by Stan Ricker ~ Pressed in Japan on JVC "Super Vinyl


Please Please Me is the debut album by the English rock band The Beatles. Parlophone rush-released the album on 22 March 1963 in the United Kingdom to capitalize on the success of the singles "Please Please Me" and "Love Me Do". Of the album's fourteen songs, eight were written by Lennon/McCartney, early evidence of what Rolling Stone later called "[their invention of] the idea of the self-contained rock band, writing their own hits and playing their own instruments."

Recording
In order for the album to contain fourteen songs (the norm for British 12" vinyl pop albums at that time was to have seven songs on each side, while American albums usually had only five or six songs per side) ten more tracks were needed to add to the four sides of their first two singles recorded and released previously. Therefore, at 10:00 am on Monday, 11 February 1963, the Beatles and George Martin started recording what was essentially their live act in 1963, and finished 9 hours and 45 minutes later. In three sessions that day (each lasting approximately three hours) they produced an authentic representation of the band's Cavern Club-era sound, as there were very few overdubs and edits. Optimistically, only two sessions were originally booked by Martin—the evening session was added later. George Martin initially contemplated recording the album live at the Cavern in front of the group's home audience and visited the Liverpool club on 9 December 1962 to consider the technicalities. But when time constraints intervened, he decided to book them at EMI Studios in Abbey Road instead and record them virtually live. Martin said, "It was a straightforward performance of their stage repertoire — a broadcast, more or less."

The day ended with a cover of "Twist and Shout", which had to be recorded last because John Lennon had a particularly bad cold and Martin feared the throat-shredding vocal would ruin Lennon's voice for the day. This performance, captured first take, and generally regarded as a classic, prompted Martin to say: "I don't know how they do it. We've been recording all day but the longer we go on the better they get." The song "Hold Me Tight" was recorded during these sessions, but was "surplus to requirements" and not included on the album. "Hold Me Tight" was recorded again on 12 September 1963 for With the Beatles.

The whole day's session cost around £400. George Martin said: "There wasn't a lot of money at Parlophone. I was working to an annual budget of £55,000." This budget had to cover all of the artists on Martin's roster. Individually, under a contract with the Musicians' Union, each Beatle collected a seven pounds and ten shillings (£7.50) session fee for each three hour session. Martin considered calling the album "Off the Beatle Track" before Please Please Me was released on Parlophone PCS 3042.

Please Please Me was recorded on a two-track BTR tape recording machine, with most of the instrumentation on one track and the vocals on the other, allowing for a better balance between the two on the final quarter-inch tape mix-down in mono. A stereo mix was made at the same time as the mono mix, with one track on the left channel and the other on the right, as well as an added layer of reverb to better blend the two tracks together. This was common practice for playback on stereo consoles.

Release
Please Please Me was released as an LP album on Parlophone in the UK on 22 March 1963. In the USA, most of the songs on Please Please Me were first issued on Vee-Jay Records' Introducing... The Beatles in 1964, and subsequently on Capitol Records' The Early Beatles in 1965. Please Please Me was not released in the US until the Beatles' catalogue was standardized for CD.

The album was released on CD on 26 February 1987, along with the three following UK studio albums, With the Beatles, A Hard Day's Night and Beatles for Sale, all four in mono only. It was not released on vinyl or tape in America until five months later when it was issued for the first time in the US on LP and cassette on 21 July 1987.

Please Please Me was remastered and re-released on CD in stereo, along with all the other original UK studio albums, on 9 September 2009. The 2009 remasters replaced the 1987 remasters, whose quality had long been heavily criticized. A remastered mono CD was also available as part of the limited edition The Beatles in Mono box set.

Packaging
George Martin, a Fellow of the Zoological Society of London, owners of the London Zoo, thought that it might be good publicity for the zoo to have the Beatles pose outside the insect house for the cover photography of the album. However, the Zoological Society of London turned down Martin's offer, and instead, Angus McBean was asked to take the distinctive colour photograph of the group looking down over the stairwell inside EMI's London headquarters in Manchester Square. Martin was to write later: “We rang up the legendary theatre photographer Angus McBean, and bingo, he came round and did it there and then. It was done in an almighty rush, like the music. Thereafter, though, the Beatles' own creativity came bursting to the fore". In 1969, the Beatles asked McBean to recreate this shot. Although the 1969 photograph was originally intended for the then-planned Get Back album, it was not used when that project saw eventual release in 1970 as Let It Be. Instead, the 1969 photograph, along with an unused photograph from the 1963 photo shoot, was used in 1973 for the Beatles blue and red retrospective albums 1962–1966 and 1967–1970.

Please Please Me was released when Parlophone was in the process of changing their label design. The very first pressings of the LP are the only the Beatles LPs that have the gold and black Parlophone label (gold writing on a black background). This version is highly sought after by collectors and the stereo version (as stereo was a very niche market at the time) is even more so. The next Please Please Me LP label had a yellow and black Parlophone LP label (black with yellow writing) which Parlophone would use until 1969. Later labels are usually black with silver writing and with either one or two EMI boxed logos. The gold on black stereo label was recreated on CD in 2009 for the remastered release of this album which is also in The Beatles Stereo Box Set.

Reception
Please Please Me hit the top of the UK album charts in May 1963 and remained there for thirty weeks before being replaced by With the Beatles. This was surprising because the UK album charts at the time tended to be dominated by film soundtracks and easy listening vocalists. In 2003, Rolling Stone magazine ranked the album number 39 on its list of the 500 Greatest Albums of All Time. It was ranked first among the Beatles' early albums, and sixth of all of the Beatles' albums, with only Sgt. Pepper's Lonely Hearts Club Band, Revolver, Rubber Soul, The Beatles (The White Album) and Abbey Road ranked higher. Rolling Stone also placed two songs from the album on its list of The 500 Greatest Songs of All Time: number 139, "I Saw Her Standing There", and number 184, "Please Please Me". According to Stephen Thomas Erlewine of Allmusic, "Decades after its release, the album still sounds fresh", the covers are "impressive" and the originals "astonishing".

MFSL Half-Speed Mastered Box Set
In September 1982, the thirteen original Beatles album were remastered and released on vinyl by Mobile Fidelity Sound Lab (MFSL). These half-speed mastered LP's were pressed in Japan by JVC on "High Density Super Vinyl'. The albums were mastered and cut by Stan Ricker who pioneered the half-speed mastering process. The MFSL albums were remastered from the original EMI vault stereo masters, except for Magical Mystery Tour which used the Capitol USA master. This was the first and only time these precious masters left EMI Studios in London. The MFSL release was very popular and highly critically acclaimed for the superb sound. Click here for more info on the Beatles on MFSL
”


Track Listing
All songs written and composed by McCartney/Lennon, except where noted.

Side One
1. "I Saw Her Standing There" - 2:57
2. "Misery" - 1:50
3. "Anna (Go to Him)" (Arthur Alexander) - 2:57
4. "Chains" (Gerry Goffin, Carole King) - 2:26
5. "Boys" (Luther Dixon, Wes Farrell) - 2:27
6. "Ask Me Why" - 2:27
7. "Please Please Me" - 2:03

Side Two
1. "Love Me Do" - 2:22
2. "P.S. I Love You" - 2:05
3. "Baby It's You" (Burt Bacharach, Hal David, Barney Williams) - 2:38
4. "Do You Want to Know a Secret" - 1:59
5. "A Taste of Honey" (Bobby Scott, Ric Marlow) - 2:05
6. "There's a Place" - 1:52
7. "Twist and Shout" (Phil Medley, Bert Russell) - 2:33


Released 22 March 1963
Recorded 11 September and 26 November 1962, 11 and 20 February 1963, EMI Studios, London
Genre Rock
Length 32:45
Label Parlophone
Producer George Martin

Allmusic 5/5 stars
BBC (favourable)
Blender 2/5 star
Pitchfork Media 9.5/10
Q 3/5 stars
Rolling Stone 3.5/5 stars



Vinyl Ripping Notes

The Beatles - Please Please Me
The Beatles "The Collection" MFSL Box Set BC-1
LP 1 of 14

Mobile Fidelity Sound Lab ~ MFSL 1-101
Half-Speed Mastered by Stan Ricker
Pressed in Japan by JVC on HD Super Vinyl
Released October 1982

24-bit/96kHz Vinyl Rip by Dr. Robert
Summer 2010

Nitty Gritty RCM 1.5
Technics SL-1200MK2 DD Turntable with KAB Fluid Damping and KAB record grip
Ortofon 2M Black MM Cartridge
Pro-ject Tube Box SE II Preamp (2x GroveTubes GT-12AX7-R3)
Tascam US-144 external USB 2.0 Audiointerface
Mac Pro Dual Zeon 2.66 GHz
Bias Peak LE 6.2 recording software
Click Repair 3.3.1 for de-click (manual mode only)
iZotope RX Advanced 1.21 for Vinyl NR
iZotope RX Advanced 1.21 for Redbook conversion
xACT 1.71 for Redbook SBE correction
XLD Version 20100711 (120.5) for FLAC conversion


RCM > TT > Ortofon 2M Blk > Tube Box preamp > ADC > Mac Pro > Peak LE @ 24/96 >
analyze (no clipping, no DC Bias offset, each side gain maximized to -0.5 dB) >
split into individual tracks >
Click Repair 3.02 used in manual mode, 20~30 Rev, Pitch Protection, X2 >
iZotope RX Advanced for vinyl noise reduction using my dialed in settings >
FLAC encoded Level 5 with XLD Version 20100518 (120.3)

All de-clicking software used in full manual mode to preserve musical transients.

No music was harmed in the making of this vinyl rip.

No silence been removed, please burn gapless to match original track layout.
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