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The Moody Blues - 1971 - Every Good Boy Deserves Favour (FLAC 24 48, vinyl, Threshold 9299 138)

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Torrent File Content (21 files)

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Music : Rock : Lossless
      
 

24/48
vinyl rip. Threshold Records 9299 138 / 6376 600. LP made in Holland (most probably a later 70s reissue).

Side 1
1. Procession
2. The Story In Your Eyes
3. Our Guessing Game
4. Emily's Song
5. After
You Came

Side 2
1. One More Time To Live
2. Nice To Be Here
3. You Can Never Go Home
4.
My Song

(B. Edge / J. Hayward / J. Lodge / M. Pinder / R. Thomas) - A1
(J. Hayward) - A2,B3
(R.
Thomas) - A3,B2
(J. Lodge) - A4,B1
(B. Edge) - A5
(M. Pinder) - B4

Producer: Tony Clarke
Recording engineer: Derek Varnals
Assistant engineer: David Baker
Cutting engineer: Harry Fisher

Sleeve artist: Phil Travers

All instruments played by the Moody Blues

Vinyl etching:
AA
6376 600 1Y 1 670 115
AA 6376 600 2Y 1 670 * 11 7

The best-realized of their classic albums,
Every Good Boy Deserves Favour was also the last of the group's albums for almost a decade to be done under reasonably
happy and satisfying circumstances -- for the last time with this lineup, they went into the studio with a reasonably
full song bag and a lot of ambition and brought both as far as time would allow, across close to four months
(interrupted by a tour of the United States right in the middle). Virtually everywhere you listen on this record, the
lush melodies and the sound of Michael Pinder's Mellotron (augmented here by the Moog synthesizer and a brace of other
instruments) just sweep over the music, and where they don't, Justin Hayward's guitar pyrotechnics on pieces like
"The Story in Your Eyes" elevate the hard rocking side of the music, in tandem with John Lodge's muscular bass
work -- which still leaves plenty of room for a cello here, and a grand piano there, on top of Ray Thomas' flute, and
Graeme Edge's ever more ambitious percussion. "Emily's Song." "Nice to Be Here," and "My
Song" are among the best work the group ever did, and "The Story in Your Eyes" is the best rock number
they ever cut, with a bracing beat and the kind of lyrical complexity one more expected out of George Harrison at the
time. Sad to say, the group would never be this happy with an album again -- at least not for a lot of years -- or with
their commitment to being a group, though they would leave one more highly worthwhile album before taking a hiatus for
most of the rest of the 1970s. - Bruce Eder, AMG                                                            Show Demonoid some love
with  BitCoin: 1DNoidJdotDyNMm5CxA8XfbgCH8KsCjco3  How to get
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