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Tunes for Tyrants Music and Power with Suzy Klein S01E03 World War (720p HD, soft Eng subs)

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TV : Documentary : HD : English
    
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           Tunes for Tyrants Music and Power with Suzy Klein S01E03 World War (720p HD, soft Eng subs)

Suzy
explores the use, abuse and manipulation of music in the Second World War - from swinging jazz to film soundtracks and
from mushy ballads to madcap ballets. The war, she demonstrates, wasn't just a military fight but an ideological
battle where both sides used music as a weapon to secure their vision for civilisation. 

Suzy reveals how the
forces' sweetheart Vera Lynn was taken off air by the BBC's 'Dance Music Policy Committee' for fear
her sentimental songs undermined the British war effort. But in Nazi Germany, screen siren Zarah Leander had a hit with
a song remarkably like Vera's We'll Meet Again. Meanwhile Nazi band Charlie and his Orchestra reworked Cole
Porter classics by adding anti-British lyrics to weaken her morale. Though the Nazis banned jazz at home as
'degenerate', Suzy also explores Occupied Paris's incredible jazz scene. And the film revisits concerts
given under extraordinary conditions - not least the performance of Wagner's Gotterdammerung' (Twilight of the
Gods), which in April 1945 brought the curtain down on the Third Reich. 

Despite Hitler's taunt that
Britain was 'Das Land ohne Musik' ('The Land without Music'), Suzy reveals the war work of two great
British composers. William Walton's Spitfire Prelude became the archetype for a particularly British form of
patriotic music. By contrast Michael Tippett was sent to prison for being a conscientious objector, but his anti-war
oratorio A Child of Our Time was showcased at the Royal Albert Hall. The right of people to freely express themselves
was, after all, what we were fighting for. 

For some, music was a way of transcending desperate
circumstances. Suzy examines Olivier Messiaen's haunting Quartet for the End of Time, written amid the desolation
of a POW camp. But at Auschwitz, Suzy reveals how music was co-opted to serve the Nazis' evil purposes. Cellist
Anita Lasker-Wallfisch explains how musical ability saved her from the gas chambers. Drafted into the Auschwitz
Women's Orchestra, she had to play marches to drive prisoners to and from work and to give a private performance of
Schumann's exquisitely innocent Traumerei to the infamous Dr Mengele. 

The events of the 20th century
show, Suzy concludes, that though we should continue to love and celebrate music, we should also be wary of its
seductive power.

(with soft subtitles) 

First broadcast: 16 October 2017
Duration: 1 hour 




Media info:-
General
Format : MPEG-4
Format profile : Base Media
Codec ID : isom
(isom/iso2/avc1/mp41)
File size : 1 014 MiB
Duration : 59mn 15s
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Video
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Format profile : [email protected]
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Codec ID : avc1
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Height : 720 pixels
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Stream size : 972 MiB (96%)

Audio
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Codec ID : 40
Duration : 59mn 14s
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Channel positions : Front: L R
Sampling rate : 48.0 KHz
Frame rate : 46.875 fps (1024 spf)
Compression mode : Lossy
Stream size : 39.6
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