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UNIVERSITY OF ILLINOIS PRESS THE GREAT ORCHESTRATOR 2013 RETAIL EBOOK-kE

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 							TITLE: THE GREAT ORCHESTRATOR: ARTHUR JUDSON AND AMERICAN
  ARTS MANAGEMENT (MUSIC IN AMERICAN LIFE)
 
PUBLISHER: UNIVERSITY OF ILLINO LANGUAGE: ENGLISH
  LINK: http://is.gd/QMSGIe RELEASE TYPE: RETAIL
  FORMAT:
PDF RELEASE DATE: 2015.01.28
  ISBN: 9780252037412 STORE DATE: 2013
  SAVED.MONEY: 50 DOLLAR DISKCOUNT: 01 x
05MB
  AUTHOR: JAMES M. DOERING
  
  BOOK
  
  This biography charts the career and legacy of
the pioneering
  American music manager Arthur Judson (1881-1975), who rose to
  prominence in Philadelphia
and New York at the beginning of the
  twentieth century. A violinist by training, Judson became manager
  of
the Philadelphia Orchestra in 1915 under the iconic conductor
  Leopold Stokowski. Within a few years, Judson also
took on
  management of the New York Philharmonic, navigating a period of
  change and the tenures of several
important conductors who
  included William Mengelberg, Arturo Toscanini, and John
  Barbirolli. Judson also
began managing individual artists
  including pianists Alfred Cortot and Vladimir Horowitz, violinist
  Jasha
Heifetz, and cellist Gregor Piatigorsky. He also organized
  the U.S. tours of several prominent composers,
including Igor
  Stravinsky and Vincent d'Indy. At the same time, Judson began
  managing conductors. His
first clients were Stokowski and Fritz
  Reiner. By the 1930s, Judson's conductor list included most of
  the
important conductors working in America. Drawing on rich
  correspondence between Judson and the conductors and
artists he
  served, James M. Doering demonstrates Judson's multifaceted
  roles, including involvement with
programming choices, building
  audiences, negotiating with orchestra members and their unions
  and exploring
new technologies for extending the orchestras'
  reach. In addition to his colorful career behind the scenes at
  two preeminent American orchestras, Judson was important for a
  number of innovations in arts management. In
1922, he founded a
  nationwide network of local managers and later became involved in
  the relatively
unexplored medium of radio, working first with
  WEAF in New York City and then later forming his own national
  radio network in 1927. Providing valuable insight into the
  workings of these orchestras and the formative
years of arts
  management, The Great Orchestrator is a valuable portrait of one
  of the most powerful
managers in American musical history 						

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